Hayley and the Crushers - COOL/LAME

Hailing from sunny San Luis Obispo, California, Hayley and the Crushers is a syrupy garage-tinged power pop trio featuring lovely Hayley Crusher Cain on vocals and guitar, Dr. Reid Cain Crusher on bass and Gabriel Olivarria more recently replaced by Benjamin Cabreana--behind the kit. Recorded with legendary punk rock producer Bart Thurber at House of Faith Studios in Oakland, CA, "Cool​/​Lame" is their sophomore full length album and first to be released by Eccentric Pop Records. If you like the Go Go's or Blondie minus Jimmy Destry's farfisa sounds, this is right up your alley and VERY recommended.

1) For the viewers of this blog who would not know you, What would you tell about Hayley and the Crushers to introduce yourselves? How long are you guys together as a band?  Who is playing what instrument in the band nowadays?

Hi, Hayley Crusher Cain, here! Hayley and the Crushers are a poolside glitter trash gang from The Crusherverse, also known as San Luis Obispo, California (that's halfway between Los Angeles and San Francisco, near the ocean). We have the most fun on stage, where we dance, jump off amps, and generally sweat to the oldies. The best thing anyone ever said about us is: "you're like a demonic version of the Go-Gos." I wear a swimsuit on stage because I want to let the crowd know it's time to leave the normal world behind. I play a budget model Electromatic Jet Gretsch (silver sparkle) because I always was inspired by Billy Zoom of X. Dr. Cain (bass) loves to play the heel. He is like a villain wrestler. He's a cranky punk rocker who will do anything to get a rise out of the crowd. Together, we have been lucky to work with a clutch of really talented drummers who add a lot of personality to the band, like  Gabriel Olivarria and Benjamin Cabreana. We have been known to build tropical stage sets out of trash just for fun or throw Mexican candies into the crowd for the girls who are on their periods that day. We never felt cool, so we made our own fun, and you are welcome to join us. When we are on tour, we use borrowed gear and rely on the kindness of strangers. So far, we've made a lot of good friends that way!

The band formed in the summer of 2015 when myself and my bass player (Dr. Reid Cain, Esquire) left our previous punk band, Magazine Dirty, which broke up at a casual family pizza restaurant. For a year or so before that breakup, I had started writing more surf and pop-inspired stuff that I wanted use for another group. After playing lead guitar in a pretty hardcore punk band for a few years--which was cool, because we got to open for bands like the Weirdos, Adolescents, Agent Orange, FLAG--I knew I wanted to be the front woman and guitar player, not in the background. My original idea was for an all girl band, but then the two girls I was working with ran off. Also Reid (who happens to be my husband) kept saying "I'll be in your new project!" At first I said no, because I had my heart set on an all girl group that could tour, and he had a Comic Book shop and was not able to travel much at the time. Then, I heard what Reid could do with these Crushers songs on his bass. He took my surfy pop punk songs and gave them an edge with his distorted bass lines. He had never played bass in his life. He was always a guitar player and songwriter. So, I was super impressed when I heard what he could do on bass, plus he agreed that I would be in charge. : ) I liked the fact that he had no formal training, so his bass lines are just wacky and hairy, almost like a choppy waves--you don't know where they are gong to take you. Right now the band is Hayley Crusher Cain on guitar, Dr. Reid Cain Esquire on bass and Benjamin Cabreana--more recently--on drums. However, our original drummer, who we recorded the album "Cool/Lame" with, is the mighty Gabriel Olivarria. He has had a huge influence on our sound and he had to stop playing with us due to medical issues. He is from a metal background and has a lot of power, swing, and swagger behind the kit, and you can hear his dynamic style on "Cool/Lame."  He also sings really angelic backing vocals throughout the record--which is funny, when you see this metal dude with long hair and pentagrams all over his vest. Ben, our current drummer, is an energetic guy, a really good skateboarder, and he is more about precision, which has led us to explore more straight-ahead rock n roll vibes. As a result, our new forthcoming album (fall 2019) is a tad more on the straight-ahead rock/pop-punk spectrum, but with some surfy flourishes.

2) About the latest full length record "Cool/Lame",  what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs?

First let me back up a bit. Our first full length album, "Jewel Case," which came out in 2016, also features Gabriel Olivarria on drums. We were finding our footing and our style, and although we're not crazy about how the recording turned out, you can hear us really growing and having fun and finding a unique identity. There's some 50s inspired soda pop kind of tunes but also some more garage style and surfy pop songs. I was learning to become "a singer." "COOL/LAME," our debut vinyl, felt like we came into our own. We love the way it turned out and it captures our spirit. It was a really big deal to do the vinyl. Reid and I had both done 7 inch records before with other bands, but we'd never done a full length LP (and we owe Travis Woods from Eccentric Pop records major props for helping us make this dream real). We recorded with Bart Thurber in Oakland California at his Studio House of Faith. He's recorded many Bay Area punk bands from the 90s on, including Neurosis, Swingin' Udders and TILT....honestly, there are way too many to mention. He is very detailed, and has a way of producing us with a very light hand, yet making subtle changes that take a song from an 8 to a 10. He is also an old school dude who uses analog tape. We recorded "COOL/LAME" with a "live" setup, as a band, then doubled guitars, added backing vocals, and added additional percussion (chimes, bongos, glock), and I came in and did the vocals all in one day. I have pretty minimal guitar solos, and I like to keep it really simple, so we can get it done and move on. My vocal takes on COOL/LAME are pretty much the second take every time. I think "Threat Level Red" was the first vocal take.  Bart records everything to tape before bouncing it to the computer. We had John Rogers out of Las Vegas do the master. Dave at Lucky Lacquer did the vinyl master.

3) Do you use the nowadays digital recording technology or do you guys only work with analog machines in analog studios?

The studio capture is recorded analog, on tape. The mix is done on the computer. This works for us for a few reasons. 1) It keeps us moving along in the recording process, because we don't have unlimited takes (or tracks) and Bart has to physically re-wind the tape for us to fix something (that has a psychological effect on me to just get it done right the first time). Bart has worked with tape for a long time and he has it down to a science. He also re-uses tape, so it's not super expensive to do. No, we don't think there is some mysterious magic is in this method, but when you have a good thing going, just go with it. We are currently finishing up our second album with him now. I think the only important thing about recording is getting out there and doing it. We are not snobs about analog. Just do it!

4) Is there a main composer in the band or is everybody involved in one way or another?

It goes like this: Main composer: Hayley Crusher; secondary: Hayley and Reid, third: Reid. These are historically mostly my songs, but Reid contributes some songs too. Lately we have been doing this thing where I will write either music or lyrics and Reid will do the other part, or vice-versa. We've found that this makes the songs a lot more dynamic and weird (we like that). For instance, I spent the holidays in Berlin visiting my sister. Reid sent me a guitar riff via his iPhone memo app, and I wrote the lyrics while hanging around Germany. When I got back, I wrote the chorus and corresponding riff, and we cobbled it together into a really cool song. Creating in a separate realm, then coming together to make the song great, is what works best for us. We rarely ever sit in a room and collaborate together, unless it is to discuss a specific part, like a bridge or a turnaround that needs help or something like that. After working together and playing music together for eight years in four different bands, we've finally found our groove. The best songs are a joining of two different interesting ideas, seen from two different perspectives (we are very different in our writing style, which is a good thing). The struggle of coming together, and the joy, is making it work, is why we do this. There is no better feeling. And those are our very best songs.

5) What is your favorite topic/topic that comes easily when you write a new song?

I love to write about women, but in a way that makes you go "Wait, what did she say?" My most proud line is in the song from Jewel Case, "She said you look like a child prostitute/I said mom I look cute," because that is actually something that happened to me. "Parking Structure Girl" is about a woman who seemed really miserable at her day job at a parking structure in town, and "Bad Girls" is a cover we really loved by our pal Christian Cortez. "Seventeen Strum," from the album "Jewel Case" is about my life as a teen, trying to find freedom from rural small-town existence, with a busted guitar and some gin swiped from my parent's liquor cabinet. That said, we still do a lot of party songs, beach songs--songs you could just enjoy while having the best summer ever. Then there's stuff that has more of a moodiness, like "Small Lives" or "Blacked out." Reid came from a small town in Colorado, where there was a small tight knit group of punk kids, and he later was part of the East Bay punk scene in Oakland in the mid to late 90s. I also come from a small CA town, then many of my formative teen years in Los Angele's South Bay, in an all girl band that was pretty wild. I felt like I was part of a really self destructive punk scene and I saw a ton of violence, drugs, and destruction. I had to pull myself out of depression and addiction. So, we also write from that dark place, too, and you can find it if you look for it in my songs. "Cool is the New Lame" is our take on the so-called punk scene today. When we tour we notice that there is this "I'm so bored, I'm interesting" thing happening; not unlike what was happening during 77 and the fashion took over the message. We feel like, if you're bored, say something, do something, don't just take a selfie. Take a risk. There is no glory in normcore.

6) To what kind of music did you listen to as teenagers and does it still influence your today work? What were your favorite bands as a teenager? Name 3 bands that you consider still have a influence on your own work today.

Living in a small town in California, it was miles and miles to the next town to go to the record store. My big sister liked glam and art rock like Bowie, so I knew there was cool stuff out there, but it had already happened long ago. At 13, I knew about the Sex Pistols, and I thought that was basically it, and that it was a relic from the past, like glam rock. My mom had lived in NYC in the 1970s and told me stories about seeing Joey Ramone at the movies or serving drinks to the Talking Heads while I was still in her belly. I also knew about The Go Gos, because my mom had their CD laying around, and it was one of my favorites as a little kid. So, I liked the music, but thought it was from another time, not mine. But then when I was 13 everything changed and I realized punk was a modern thing that survived the 70's and even the 80's. I was in gym class and my friend gave me a burned CD with Operation Ivy's "Energy" on it. It was burned from her older brother. Even though that CD was relatively old at the time (this was in the year 2000) it felt fresh and modern to my ears. I basically freaked out right then and there and learned how to play all those songs on guitar, which I butchered pretty bad, because ska picking is not easy! Thanks to Lookout, I found more modern bands like Screeching Weasel, which also led me to the Queers. I understood that you could be melodic and dangerous. A punk boy at school showed me Black Flag. To this day, I have a folder of guitar tabs that is mostly SW, Black Flag songs with some Clash thrown in, because my guitar teacher couldn't wait to show me the more sophisticated side of things (including one of my favorite bands, X, Stay Cats, and surf music, like the Ventures, which led me to Agent Orange--a major influence). To this day I really resonate with a fun, rhythmic, rockabilly or surf guitar vibe, a dose of snotty pop punk sass, and hardcore energy.

7) Do you have a new video on youtube featuring a track from the LP?
We actually recorded a live video for "Cool is the New Lame" in Reid's comic book shop, before he sold it. We also have a newish video for "Before the Blitz," which is a love song that is also about the end of he world, and we have a video for "Blue and Green," where I find a bearded mermaid on the beach. We also just did a super quick and fun video for "Polyester Sunday" where my friend Danielle Bagnall (who plays the MerCrusher in the "Blue and Green" video) follows me around our local swap meet. We are always making no budget videos with our phones! Just go to our Youtube. Entertainment and thrills for hours!


https://www.youtube.com/channel/UCLDJXUZWUeuhu_6UHcF32Og

8) What can concert goers expect at a gig of Hayley and the Crushers? Are you playing any famous cover songs?

Reid will jump off an amp at some point and maybe unplug his bass in the process. I will probably dance a lot and shake my ass at the audience. Ben will probably start singing the "Baby Shark" song....he might even take his shirt off! We have fun. Why get on stage if you're not going to ham it up and have the best possible time? At a recent all ages show we pulled a young girl, maybe eight years old, on stage and she flossed for an entire song! It was great, although I think she got nervous halfway through. She powered through, though! We have also been known to have dance-offs and award crowns and prizes, like in the case of the Pineapple King. We had a local friend who earned the Crushers Pineapple King crown with his awesome dance moves. So we invited him back on stage to challenge someone new. It was fun. Now the crown has been passed down to a few different people! We also do an annual Summer Crush event. The last one was tiki themed. Our artist friend Neal Breton worked with us to make a tropical backdrop out of recycled materials and we invited the local drag queens to perform.

10) You describe your music as being "poolside glitter trash". Can you explain?

A lot of our song ideas come when we're at our local Elks Lodge, which has a pool. Our office is the hot tub. I think that's where it came from. We also do an annual event where we take trash and turn it into a fun stage set (we turned the trash into a "pool party" set two years in a row)...we are trashy and sassy but sparkly too. Once I started wearing swimsuits on stage it just seemed like the right description.

11) What are the plans for 2019 as far as Hayley and the Crushers are concerned?

We have a brand-new album that we'd like to release on vinyl fall 2019. We would also like to find a Japanese and European label to help co-release it. We have a 2019 Midwest Tour happening April 25-May 7 with Dougie Tangent of The Putz/Devious Ones on drums, and you can see all the show dates here: https://www.hayleyandthecrushers.com/shows . We also want to head back to the Midwest/East Coast this fall and we would love to do some European festivals, like Punk Rock Raduno. That would be such a dream. We love to travel and we have basically packed our lives in to our van! If you want to play with us, or book us, now is the time. We are not burned out yet and we are looking to perform and record as much as humanely possible.



12) Anything you wanna add?

Yes, thank YOU Eric! : ) Also another a huge thanks to Travis Woods at Eccentric Pop records for distributing COOL/LAME all around the world, which opened us up to an incredible universe of friends who just want to dance! The Dummy Room Podcast is a source for all things pop punk and they have been extremely kind to us, as has Dougie Tangent, who helped get us on Eccentric Pop and is working as our booker/drummer for the midwest. Thanks to Mike in Tokyo Rogers who has been playing our tunes over in Japan, as well as to Rodney Bingenheimer, who gave us a good spin over at Little Steven's Underground Garage, Sirius XM. We appreciate every play. We appreciate every spin, whether on the radio or just in your living room! We are so very grateful to all the DIY bands, especially in California and the Pacific Northwest, who have played with us over the past few years and set up shows with us and letting us borrow their gear! You can find more of our stuff over at www.hayleyandthecrushers.com or @hayleyandthecrushers on Instagram.

PURCHASE THIS BRILLIANT ALBUM HERE: 
https://hayleyandthecrushers.bandcamp.com/album/cool-lame

A PRESENT FROM THE EASTER BUNNY

Night Beats – Night Beats Perform The Sonics BOOM (RSD 19)
IN WAV - Scans are included

A1.Cinderella
A2.Don't Be Afraid Of The Dark
A3.Skinny Minnie
A4.Let The Good Times Roll
A5.Don't You Just Know It?
A6.Jenny, Jenny

B1.He's Waitin'
B2.Louie, Louie
B3.Since I Fell for You
B4.Hitch Hike
B5.It's All Right
B6.Shot Down

Vinyl rip.

http://www.mediafire.com/file/em87ltbppusdr9g/Night_Beats_%25E2%2580%2593_Night_Beats_Perform_The_Sonics_BOOM_%2528RSD_19%2529.rar/file

DAN VAPID AND THE CHEATS - THREE

As you will read in the interview, Dan Vapid & The Cheats is the latest project from singer/songwriter Dan "Vapid" Schafer, a veteran of the punk scene who has played in  numerous  essential bands, like Screeching Weasel, The Riverdales, The Methadones, Sludgeworth, Noise By Numbers, The Mopes, and the Queers. Impossible for this blog not to have an honest conversation with a guy with such a resume. Here we go!

1) For the viewers of this blog who would not know you, What would you tell about DAN VAPID AND THE CHEATS to introduce yourselves? How long are you guys together as a band?  Who is playing what instrument in the band nowadays? 

I am Dan Vapid, singer/songwriter of Dan Vapid and the Cheats. I’ve played in many bands, mostly in the pop punk genre, since 1987. Some of these bands include, Methadones, Riverdales, Screeching Weasel, the Queers, Mopes, Sludgeworth, Noise by Numbers. In many regards, I feel the sound of Dan Vapid and the Cheats has elements of all of the aforementioned bands. We formed in 2011 and have had a few line up changes. Currently, the line up is:
Me-vocals and guitar.
Gabe Usery-is the drummer/engineer/co-producer
Simon Lamb-guitar
Dillon Dunnagan-bass

2) About the latest full length record "Three",  what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs?

It was a fairly long process with most sessions done at night after I put my kids to bed. Encapsulated Studio in St. Louis is a 45 minute drive from where I live. Getting our schedules to align and providing adequate time was the biggest challenge we faced. There were lots of tired mornings at work which followed those sessions. However, after a span of a year and a half, we finished. The process for the recording was track to track with overdubs.  We recorded 15 songs and then chose 10 of them for the record.

3) Do you consider it should be foolish not to use the nowadays digital recording technology or do you guys only work with analog machines in analog studios?

No, we use pro-tools the same as most bands. I think recording live to tape can certainly produce great results for the right band. However, I was happy with the result from pro tools and will likely continue working in the same fashion.

4) When you compose a new song do you record a full detailed demo with all the various parts you want the guys in the band to play or do you come at the rehearsal and just tell the guitars chords so that everybody is involved in one way or another? Or are you guys just jamming until something interesting comes out of it? 

Sometimes I make a demo of a song and send it to my band mates.  Sometimes we’ll jam something and I’ll have them improvise. It depends on the type of song and part. If I’m distinctly hearing a lead, bass line or drum fill, and feel it’s integral to the song, I’ll want to keep it that way. However, in most cases, I want to hear my band mates interpretations of what I show them because they might have a better idea. My philosophy is to play whatever serves the song the best.

5) What is your favorite topic/topic that comes easily when you write a new song?

Although I have been married for almost 10 years, I’m drawn to break up songs. I don’t know why. I think it’s a topic that works well in music. Often breakup lyrics just emerge, seemingly of their own accord, when I pick up a guitar and strum.

6) DAN VAPID AND THE CHEATS are sometimes described as a "punk/powerpop" band. Do you agree with this label? Are you proud of it or do you consider there is way more than that?

The punk/power-pop label gives some description but believe there’s more to it than that. I draw inspiration from more than punk or power pop. At the end of the day, music labels don’t mean a lot to me. Great songs do. These labels might be necessary to give a general idea about a band but beyond that I don’t pay much attention to them.

7) Do you have a new video on youtube  featuring a track from the new LP?? 

Not yet. Working on it.

Here is an old one, then:



8) What can concert goers expect at a DAN VAPID AND THE CHEATS gig? Are you playing any famous cover songs or songs of your previous bands? 

Yes, I often play Riverdales, Mopes, Methadones, etc...if I wrote the song I’ll play it live. However, now that we have a new record (three) I will likely be playing less of them unless there’s a demand to hear them.

9) To what kind of music did you listen to as a teenager and does it still influence your today work? What was your favorite band as a teenager? Name 3 bands that you consider still have a influence on your own work today?

Early teens I listened to metal. By the time I was 16 I was mostly listening to punk/hardcore. Ramones and Naked Raygun were my two biggest influences. Both bands inspired and made me want to play music seriously. I still think both bands play a role with my songwriting today.
   Naming three main bands providing influence currently is nearly impossible. There are so many bands, from many genres new and old I draw from. However, if I HAD to pick a favorite along with the aforementioned, I would say the Smoking Popes.

10) What can you tell about this rather dark cover art (well, at least, compared to the 2 previous albums anyway)? And where is this stairway leading to? To the depths of people's souls?

I was working on a song called “Spiral staircase” that was a metaphor for someone’s life sinking into a deep depression. When we needed a record cover I asked my guitar player, Simon, if he had any photos of a spiral staircase and it turned out that he did. The photo was taken by him somewhere in Europe (Scotland, I presume) and with a few graphic designer tweaks and the band logo we had ourselves a record cover.

11) Anything you wanna add? 

Thank you for the interview, Eric. We will be playing Raduno Fest in Italy this July 14th. Hopefully Belgians and Europeans throughout the continent can make the trip over to this great festival.

PURCHASE A DIGITAL COPY HERE:https://danvapidandthecheats.bandcamp.com/album/three

PURCHASE A PHYSICAL COPY HERE: https://www.eccentricpop.com/copy-of-home

PURCHASE OTHER Dan Vapid & The Cheats GREAT STUFF HERE: 
https://danvapidandthecheats.bandcamp.com/merch

The Reverberations - Changes

A couple of weeks ago, the Swedish independent punk rock label BELUGA Records released "Changes" the sophomore album by Portland, Oregon, based psychedelic rockers The Reverberations. The album was recorded in one week in Joshua Tree, CA in the middle of the desert and displays a band that has obviously matured and is now drifting toward more psychedelic pop rather than raw garage rock. 

So it was time for this blog to have a chat with Bob Fountain, organ player and once member of  The Crawling Walls, a garage band whose sole album "Inner Limits", was released on VOXX records in 1985 

1) For the viewers of this blog who would not know you, what would you tell about The Reverberations to introduce yourselves? How long are you guys together as a band? Who is playing what instrument in the band nowadays?

Ian Bixby was raised by wolves as their percussionist. It’s a little-known fact that wolf packs often adopt young humans as their drummers, since wolves themselves are sadly uncoordinated and can’t reach the cymbals. Cam Mazzia plays ALL FOUR strings on his bass guitar, but usually not at the same time. Also, he is the egg-man.  John Jenne lives in a sealed coffin in a secret location. Incense and incantations raise him and his guitar for live (well, undead at least) shows. Bob Fountain is an accomplished time traveler, who recently returned from the year 1985, where he retrieved the Vox Continental organ from Crawling Walls (Voxx VXS200.030, Lolita 5043). His pesco-temporal machine is powered entirely by fish tacos. Dave Berkham found the other 4 hiding behind a Tuff-Shed in Northeast Portland and taught them how to play some songs.

2) About the sophomore full length record “Changes”, what can you tell about the recording process? Was this a “live” in the studio recording or a track by track recording with lots of overdubs?

For a week in November of 2017, we moved into an AirBnB in Joshua Tree, California, to record the album. The guitar, bass, keyboard, and drum tracks were all recorded live by our friend and recording engineer, Pat Kearns. Most of the songs were done in one or two takes, with the notable exception being “Time Stops”, which took about a dozen attempts before we nailed it. The vocals and lead guitar parts were added over the next couple of days. Back in Portland, we added some finishing touches a couple of months later.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys decided once and for all to only work with analog machines in analog studios?

We have recorded all analog and all digital, and everything in-between. We tend to lean towards messing with tape, especially when we record ourselves. It just gets a warmth that is hard to recreate. As far as being foolish for using new tech; That’s hard to say! Maybe we are the fools for using tape and losing all our tracks to faulty machinery. Or, maybe we are geniuses because we were forced to record it better.

4) Is there a main composer in the band or is everybody involved in one way or another?

Dave writes and sings the songs. The rest of the band members occasionally yell “Hey” at the right time and sing harmless harmonies. Recently, Bob has started collaborating in the songwriting process.

5) What is your favorite topic/topic that comes easily when you write a new song?

Psychedelic aspects of everyday life; lost loves; questioning existence

6) The Reverberations are generally described as a being a “60’s Garage Psych” band. Do you agree with this label? Are you proud of it or do you consider there is way more than that?

We are, indeed, a garage psychedelic band, but we do all original material. Some of it is heavily influenced by the music of the late ‘60s. But, as our new album states, there have been some changes. Our newer sound is drifting toward psychedelic pop rather than raw garage rock.

7) Do you have a new video on YouTube featuring a track from the new LP?

“So Strange”:


8) What can concert goers expect at a The Reverberations gig? Are you playing any famous cover songs? 

 Expect it to be loud and have some behind-the-head guitar solos and bass flourishes. We often have our friend Matt Stanger provide a liquid light show during our local performances. We sometimes throw in a nugget such as “Hot Smoke and Sassafrass” or “We Ain’t Got Nothin’ Yet”.

9) Are there any bands in Portland, OR today you consider yourself close to?

We share some band members with Hauer Things, Mantis, and The Low 12. We often play shows with the The Cool Whips, The Mean Reds, The Shriekers, The Sellwoods, The Pynnacles (before their keyboard player moved to San Diego), along with bands of other genres.

10) So far, your both full length albums were released on European labels ( first Screaming Apple and now Beluga). Is there more interest in your music from European labels than from American labels or is this just a coincidence?

Yes, there seems to be more interest from European labels, and our fan base is very international.

11) Will you ever consider releasing those full length on CD or is this totally out of the question?

We have CD’s!! We did only a small run of them mostly for promotional purposes.

12) Anything you wanna add?

We hope to play in Europe within the next year. If any festival promoters are reading this, please contact us!

“Mesmerized”: 

PURCHASE IT HERE: https://belugarecords.bandcamp.com/album/the-reverberations-changes

DATURA4 - Blessed Is The Boogie

Today, Alive Natural Sound Records is releasing the aptly titled “Blessed is the Boogie”, the much anticipated third album by Datura4, a four piece fronted by Dom Mariani. The man is no new comer on the rock'n'roll scene and has had many musical lives. First in the 1980's with legendary garage rock combo The Stems  and later with revered power pop outfit DM3.

The addition of a keyboard player in Datura4 happens to be a very smart move since it has broadened the sound of the band and also added a very soulful groovy feeling on tracks like "Ooh Poo Pah Doo" or "Evil People Pt2". In my opinion, this is the band's best stuff so far ant it is very highly recommended. Here is what Dom had to say about the band and the new record.

1)  For the viewers of this blog who would not know you, What would you tell about DATURA4 to introduce yourselves? How long are you guys together as a band?  Who is playing what instrument in the band? 

Hi Eric, Dom here – nice to meet you! Datura4 are a West Australian band from the port city of Fremantle. The band has been active from 2011. The current line-up is myself Dom Mariani guitar/vocals, Warren (Waz) Hall drums, Stu Loasby bass and Bob Patient on keyboard who came in to replace guitarist Greg Hitchcock after the Hairy Mountain album.

l to r: Stu Loasby, Warren Hall, Dom Mariani and Bob Patient

2) About the new released full length record "Blessed Is The Boogie",  what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs? 

We always prefer to track live. This would be myself, Waz and Stu laying down the beds for each song. Some bass and guitar might be replaced, but wherever possible we would keep the original beds. Keyboards, vocals, additional guitars and percussion were added later. We prefer to do it live to get the performance and intensity.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys only work with analog machines in analog studios?

We are into the analogue sound, so we favor that approach. However, we appreciate that digital recording has come along way and that the analogue sound can be replicated. We use it where we feel it is beneficial. It comes in handy.

4) Is there a main composer in the band or is everybody involved in one way or another?

Apart from a couple of tunes on Demon Blues and Hairy Mountain the bulk of the song writing is done by me, and on Blessed is the Boogie the songs are mine. The process is fairly straight forward, I will bring a song and or a couple of ideas to our rehearsal and we will jam on them for however long it takes to get the groove and arrangement. The others add their bits and suggestions to get to the final result. It works well.

5) What is your favorite topic/topic that comes easily when you write a new song?

These days it’s fairly socio-political. I guess I’m interested, concerned with where the world is heading. Songs like Something to Hide, Fools Goldrush, Out with Tide, Trolls, Uphill Climb from the previous albums and Run with Lucy make references. Then it might be something like Blessed is the Boogie and Sounds of Gold which are about the joy life in music. I am very conscious of repeating myself, I try not to. Make every song fresh.

6) DATURA4 is sometimes described as a "psychedelic boogie" band. Do you agree with this description? Are you proud of it or do you consider there is way more than that?

I’m not too concerned with what description they have for Datura4. Sure, we dig psychedelic music, boogie, blues and heavy sounds, but we also dig lots of other music that are an influence in some way. I think the new album shows there are more to the layers that make our sound what it is. We want to try to keep things interesting, each song different.

7)  Do you have a new video on youtube  featuring a track from the new LP?

Yes, we do. We’ve just completed a video for ‘ Black Dog Keeps Running’.



8) What can concert goers expect at a DATURA4 gig? Are you playing any famous cover songs?

Our set will often comprise of songs from all the three albums, and we do play a few favorite covers. Train Kept-a-Rollin, Oh Well, Sinister Purpose are a few that we play from time to time.

9) Are there any bands in Australia today you consider yourself close to?

Not really – we do have a few we like, but they are different. The Floors and The Red Engine Caves who are from our hometown are good bands.

10) To what kind of music did you listen to as teenagers? What were your favorite bands as a teenager? Name 3 bands that you consider still have an influence on your own work today.

It’s hard not to list a dozen bands, but for me personally – it’s The Beatles, Creedence Clearwater Revival and The Jimi Hendrix Experience. Led Zeppelin, Cream, Black Sabbath, T Rex and ZZ Top came in somewhere around the age of 16.

11) What are the plans for 2019 as far as DATURA4 is concerned?

We hope to be touring Europe in the later half of the year, and hopefully get started on album number 4.

12) Anything you wanna add?

We hope everyone will enjoy Blessed is the Boogie.

The album is available in an amazing HAND MIXED STARBURST VINYL limited to 200 copies. So you'd better hurry if you want to purchase one of these goodies.

PURCHASE IT HERE: https://www.bompstore.com/datura4-blessed-is-the-boogie-hand-mixed-starburst-vinyl-70s-style-psych/?mc_cid=d225d14398&mc_eid=da1c760642

Or you can buy the CD with 2 bonus tracks.

Special Thanks to Patrick Boissel

Jagger Holly - The Last Of The International Playboys

The Last Of The International Playboys is the sophomore full length effort from Jagger Holly, a band featuring bass man Jay Dee from Johnie 3 and Spastic Hearts fame. Originally from Ohio where the band was formed in 2015, Jay relocated in Austria 4 years ago. In Europe, he recruited Matt on guitar (DeeCracks from Austria) and Marco on Drums (On My Arms from Italy). 

The Last Of The International Playboys was recorded in Innsbruck, Austria by Magi at the Weirdo Garage with the Euro lineup of the band and the trio delivers a kick ass collection of 12 ultra catchy pop-punk tunes that will stick in your head for days. Jagger Holly excels in bringing poppy and sugary sweet harmonies. And that's exactly that the world needs today.

1) For the viewers of this blog who would not know you, What would you tell about Jagger Holly to introduce yourselves? How long are you guys together as a band? Who is playing what instrument in the band nowadays? 

Hey I'm Jay. I play Bass and formed the band in 2015 in Ohio. I recruited Stiv on Guitar and Mr. Casey on Drums and toured all over the Midwest/east coast USA. Then recorded our debut album at Space Mountain in Youngstown, Ohio called “DJ Free Europe". Shortly after I moved to Europe where I now live for the past 4 years. The European band features Matze on Guitar and Marco on Drums. We have been to Japan and South America and all over Europe with this line up. More stuff coming!

2) About the latest full length record "The Last Of The International Playboys", what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs? 

We usually try and experiment with different guitar tones but keep the same process during recording sessions. We lay down the drums first of course. In The Playboys record Marco did 16 drum tracks in one day. And then we did Bass. Then guitars. Usually, in my bands after the drums are done we do a rhythm guitar track and build off that. So in that sense this record was a bit different. We experimented with different sounds. Like Horns and some percussion. No key's on this record which is a first. We just kind of ran out of time. This was a really fun record to make. It was actually tracked pretty quick but sat there collecting dust waiting on all of our schedules to be the same. In the band here in Europe I live in the middle and Matze and Marco both live 5 hours away in opposite directions. So, you can guess it gets tough to get us all in the same room. We made it happen tho. The Rock don't stop.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys only work with analog machines in analog studios?

I don't think it's foolish to not use technology. There is a fine line tho. If you just use a computer to fix every thing and sound perfect then that is a problem. To me you shouldn't sound like a different band when you see them live ya know? So analog or digital...just sound how you sound live.


4) Is there a main composer in the band or is everybody involved in one way or another?

I write and demo the songs and the give the guys the skeletons of the structures. Just with my vocal/guitar and drum machine with just hats and snare. I send them to Matze (who also writes some songs in Jagger) and he does his thing and takes it to another level and Marco lays the foundation with the drums and we build from there. I really enjoy bouncing ideas off one another and making this thing I started on a acoustic guitar into something huge sounding.

5) What is your favorite topic/topic that comes easily when you write a new song?

Girls. Every song is about a girl I think. Either that or a party. At least in this band. Politics don't belong in music. To me at least. To each their own tho. Life is too short to sing about stuff I know nothing about.

6) Jagger Holly is sometimes described as a "punk/powerpop" band. Do you agree with this label? Are you proud of it or do you consider there is way more than that? 

I never think about it really. All the labels that you get along the way saying you are this type of music or that. As long as people are into it. Who cares! It's all Rock and Roll.

7) Do you have a new video on youtube featuring a track from the new LP?? 

Yes we do! For a song called "It Ain't Over (Till I'm Sober) A lot of it was shot in Venice Italy. Some in Innsbruck Austria. And the rest in Brazil. I think it came out niiice. Check it out!



8) What can concert goers expect at a Jagger Holly gig? Are you playing any famous cover songs? Are you playing "I Wanna Be Well"?

As far as the live show we try to play more obscure covers. Like Dee Dee Ramone or Beach Boy cover. Some not so common Ramones songs. I don't like covers really. They are a necessary tho I guess. The "I Wanna Be Well" cover we did for OUTLOUD! Records was on our off day in Brazil and we were checking out our friend Pacote's "Hill Valley Studio" and he asked us if we wanted to record anything. We didn't have anything really new because we had just finished our "Last of the international playboys" back in Europe. So, I heard OUTLOUD was doing this Ramones comp and figured we would pick something obscure and we picked that. It turned out great I think. Loved recording there as well.

9) To what kind of music did you listen to as a teenager and does it still influence your today work? What was your favorite band as a teenager? Name 3 bands that you consider still have a influence on your own work today?

Actually these days I don't listen to anything after 1975 on a steady rotation. I would say the 3 bands that have an influence on me now or at least the ones I listen to most are Rolling Stones, Weezer, Ramones. When I was a teen it was probable Riverdales/Queers. Bands in mine scene I would say Mugwumps, Prozacs, Flanders 72, Sheckies... are always killer.

10) Anything you wanna add?

Support local music and LIVE music. DJ's are not a replacement for live bands.  Thanks for the interview!!

CDs Available at:  

http://outloudrecords.bandcamp.com/

Vinyl albums at: 

https://monsterzerorecords.com/products/jagger-holly-the-last-of-the-international-playboys-lp

FLANDERS 72 - This is a Punk Rock Club

Here comes Flanders 72, which is NOT a Belgian band but a punk rock three piece from São Leopoldo, Brazil. Their latest and already 4th full length record, "This Is a Punk Rock Club", was released on WATERSLIDE Records in Japan a few months ago. 

If you're into The Queers, early Green Day or the Ramones this is totally down your alley!

1) For the viewers of this blog who would not know you, What would you tell about Flanders 72 to introduce yourselves? How long are you guys together as a band? Who is playing what instrument? Where does the name of the band come from? For someone like me, living in Belgium, it's quite strange to have such a band name. 

Hello Eric! Well, Flanders 72 is a punk rock band from Brazil. The band started in 2004 with some friends from high school trying to play Ramones, but I'm the only one in band since then. I'm Paulinho Tscherniak (vocal/guitarrist), Big Mike is the drummer and Davi Pacote is our producer but he also recorded the bass on this new album. That's funny because a lot of people think our band name is because of Belgium or something. Our very first show in Europe was in Belgium (Summer in October Festival 2014) and that was nice to see some "Flanders" signs and some souvenir with the name "Flanders" on it hehehe. Actually the name of our band is because two tv shows that we LOVE: The Simpsons - the Flanders family, Simpsons's neighbors - and El Chavo, this is a Mexican tv show from the 70's which is very famous in Brazil (I think only South America knows El Chavo).

2) About your latest released full length record "This Is a Punk Rock Club",  what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs? 

The process for this album was really fast and punk for each track. It was pretty much like... I would write a song at home, take it to the rehearsal, the guys would put their ideas on it and we'd go straight to Hill Valley Studio to record. This process took one or two rehearsals and 3 or 4 hours of recording sessions. Each instrument was recorded in a different channel, only the guide track was alive. Davi Pacote is a very talented friend of us, he produces our albums since 2006 or 2007 and he is a huge fan of The Ramones so he's not the kind of guy that is much into overdubs and stuff.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys only work with analog machines in analog studios?

Here in Brazil, analog studios are not popular. We use to record our albums with "technology" but with good amplifiers, drum set... In my opinion the deal is to sound good. It doesn't matter how did you record it. I'm not that nostalgic with this kind of stuff.

4) Is there a main composer in the band or is everybody involved in one way or another?

I compose the songs, that's my favorite thing in a band. I love creating songs! It's really nice writing a song and see it becoming real. I compose the song, the lyrics, the structure but the guys are always free to put their ideas on it. The bassist and the drummer are free to create their lines by themselves.

5) What is your favorite topic/topic that comes easily when you write a new song?

That's the best part of Flanders 72: we are able to sing about everything! There are songs about videogames, silly lovers, beers... but on the other hand there are songs about tough subjects such as politics, dog adoption, corruption, social problems... So it depends on the mood I am when a song idea comes to me.

6) To what kind of music did you listen to as teenagers? What were your favorite bands as a teenager? Name 3 bands that you consider still have an influence on your own work today.

When I was a 13 years old kid I discovered a band that changed my life: Green Day. I remember when I listened for the first time to Basket Case on the radio. I didn't know that rock music could sound like that.. I was like "whoah this kinda music was made for me!". Then I found the band of my life: The Ramones! Our main influences are: The Ramones, Green Day and The Queers. I could say a lot of band names...

7) Do you have a new video on youtube  featuring a track from the new CD?? 

Yes, the first video of "This is a Punk Rock Club" was "Warpzone". In some days we'll start to shoot the new one. I already have the story board done!




8) What can concert goers expect at a Flanders 72  gig? Are you playing any famous cover songs?

There are songs from our 4 albums on the set list but there is always a place for cover songs.
We use to play some songs from The Ramones, Green Day, The Queers... sometimes we play songs that some drunk guy in the audience ask us to play but we don't even know how to play... but we do hahaha.

9) Are there any bands in the music business today you consider yourself close to?

Some people say that we sound like the old Green Day (that's a huuuuge compliment!) or The Queers but I think we sound like "Flanders 72". We took a lot of influences of bands that we love to make our own music.

10) What are the plans for 2019 as far as Flanders 72 is concerned?

Now, our plan is to make videos of the whole new album. We intend to tour again in Europe soon.
We also have a small documentary about the recording sessions of "This is a Punk Rock Club" that I need to edit as soon as possible.

PURCHASE IT HERE : https://watersliderecords.bandcamp.com/album/this-is-a-punk-rock-club

or a physical copy here : http://watersliderecords.net/?pid=136842255

The Pacers - Forget Everything you know

Some months ago, Psych-A-Rella Records released the brillant debut full length album by London's four piece THE PACERS. Even if the band admits its 60's psych/garage influences there is definitively more to it and this first album proves it enough by sounding absolutely fresh and catchy and raw at the same time.

Previously to this, the band had released their debut single "Losing Touch" / "I'm Down" in 2015, which was followed in 2017 by digital download single "Mirror Man" and on June 1, 2018 by "How Will I Know" / "Tired, Beat And Broken".

Certainly one of the most interesting bands in London these days! Highly recommended!


1) For the viewers of this blog who would not know you, What would you tell about The Pacers to introduce yourselves? How long are you guys together as a band?  Who is playing what instrument in the band? 

We have been together for about 4 years now, have had a couple of different line ups but are pretty settled now. Here is the today's line-up: Alex Friedl – Lead Vocals and Rhythm guitar; Harry Stam – Lead Guitar; Paul Jarvis – Bass; Gimmy El Helou – Drums

2) About the debut full length record "Forget Everything you know", what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs?

We recorded it in three blocks over a few months, but all together, the recording and mixing process was about 10 days, we seem to work pretty quick like that. All tracks were recorded live as in Drums, bass and guitars and over dubbed vocals and guitar solos. We had been playing these songs live for a while so that seems to work for us, and we try capture some live spirit doing it that way. Apart from the vocals, we tried to keep overdubs at a minimum.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys only work with analog machines in analog studios?

There is something great about analog that you just can't capture on digital, however for most bands, recording to tape is very expensive so not always possible. We work with a combination of both but if money wasn’t a problem, it would be analog all the way.

4) Is there a main composer in the band or is everybody involved in one way or another?

All Songs are composed by Harry and Alex, once structure and lyrics are completed, its taken into the rehearsal studio where everyone adds their bits to it. But the basis of the songs is completed before everyone works on it.

5) What is your favorite topic/topic that comes easily when you write a new song?

We're no poets, so usually the lyrics don't come too easily. I think in our band, the composition is what comes first when we write songs, and the lyrics are added afterwards. So basically, we just try to come up with a line that sounds cool, and build from that. We rarely have a theme in mind when writing a song, it just becomes what it becomes. Usually something about various relationships or just psychedelic nonsense.

6) The Pacers are described by some people as a being a "60's psych/garage" band. Do you agree with this label? Are you proud of it or do you consider there is way more than that? 

60's psych/garage is definitely where most of our influences come from, so naturally you can hear that in our music. But we're really not trying to be a 60's pastiche band. It's better not to put yourself in a particular category, and keep an open mind when making music - that's what we're trying to do. When we write a new song, we're usually not too worried about how it sounds compared to our other songs, and if it "fits in" or not. If we like it, we'll keep it.

 7) To what kind of music did you listen to as teenagers and does it still influence your today work? What were your favorite bands as a teenager? Name 3 bands that you consider still have a influence on your own work today.

It would have to be The Beatles, The Easybeats and The Stooges. I think the Easybeats and the Stooges still have a big influence on us, especially with writing.

8) Do you have a new video on YouTube featuring a track from the new LP?? 

We have released three Singles from the album, the latest one was How Will I Know? You can also find the videos to our other singles on our channel too.



9) What can concert goers expect at a gig of The Pacers? Are you playing any famous cover songs?

I guess the main thing people will get out of our show is energy, we really get into it and feed off the audience. We don’t do any covers in our set, most sets are 45 mins at the most, so we’d like to cram in as many of our own songs as possible.

10) Are there any bands in The UK today you consider yourself close to?

There are a few bands here in London we play with regularly and are good mates with, Green Seagull, Cat Black, The Liquorice Experiment, The Franklys – there are lots of great bands around.

11) Anything you wanna add?

Our debut record is available to buy over at www.psycharella.com on vinyl, but its also available on Itunes and Spotify. Have a listen and come to a show!Thanks!

PURCHASE IT HERE:

https://psycharella.bigcartel.com/

PSYCHOTIC YOUTH - 21 released on Waterslide Records

Sweden's legendary power-pop-surf-punk heroes are back with a new full-length album called “21” released on Japanese label WATERSLIDE RECORDS. What you get here is super catchy guitar-driven, high energy power-pop, surf and garage-punk as well as their well-known sugary multi-layered vocal harmonies that would even make the Beach Boys jealous.

So it was time for this blog to have a very enlightening conversation with Jörgen Red Westman, mastermind behind Psychotic Youth.

1) Jörgen, we would like you to tell the viewers of this blog the full story of Psychotic youth. The origins of the band, from your first release in 1986 Faster! Faster! till Steroids in 1998 How Psychotic youth got back together again in 2015 and finally the release of your latest CD "21". We want to hear it all from you!

The band was started by me and my childhood friend Anders. As 10-year old we made our own fake guitars and used cookie-jars as drums, put on water-colors and dreamed we were KISS. Later on we started several bands as we learned to play but it wasn’t until we met our drummer Kent at the SAAB factory (we all worked there) Psychotic Youth got together in late 1984. We started for real early 1985 as we joined with Nils on guitar.

Me, Anders and Kent lived way out on the countryside where we rehearsed in a  abandoned house and Nils had to travel 40 kilometers by car with his guitar. From the start we were influenced by The Nomads and tried to sound like them – but we couldn’t. So we got more punkish after the first flexi and EP which resulted FASTER FASTER. By now Gunnar has joined us on organ and as a recording technician.

As for ANYTHING FOR A THRILL we were convinced that we would break internationally. But between the recording and the release the band broke up and me, Kent and Gunnar moved to Gotenburg in the south – just to find the album coming out and bookies demanded a tour. So we found another guy from the north (Magnus) and went for our first tour in Holland and Germany.

But the old albums didn’t fit our new line-up, so I started writing more Detroit-punkish-surf-pop tunes which ended up on SOME FUN – our 2nd coming. After making it big we toured heavy for a few years playing all the big festivals and clubs in Scandinavia and central Europe. But the label we were on was bankrupt and sold to a bigger label (MNW) where we didn’t fit in. The album BE IN THE SUN is the result of that period where we really didn’t find our sound. After that Magnus, the guitarist, left to start his own band and Ulf joined us on guitar.

It all clicked as I wrote the songs for JUICE and POP and the band had its 3rd coming. We got signed by a new label (Nonstop) and could record in a great studio with a real producer which made a lot to the great sound on the albums. The tours kept on until Kent had enough and quit. Then Gunnar developed Tinnitus and also quit. Instead we were joined by Crippa (bass) and Dennis (drums) and the sound got more punkish again as I wrote the songs for STEREOIDS. The tours started to wear us down and as BOMP Records released the album and a US tour was planned – Dennis and Crippa left and me and Ulf decided to call it quits for good. A last concert was held on June 24th 1999 and recorded at a festival in our hometown Kramfors. It can be found as a Italian EP LEAVING THE 20TH CENTURY ALIVE or the whole show as the CD ALIVE UNDER THE MIDNIGHT SUN (Target Earh/Japan).

After that I started my rockabilly career instead and it wasn’t until 2015 as Paul Collins asked if Psychotic Youth could get together and join him and Kurt Baker Combo on a tour that we started again. But the previous guys were not interested, except Ulf, so I took the guys in my rockabilly band and had them playing Psychotic Youth-tunes instead. It all developed into a compilation album and a Japan-tour where we met Kazu of Waterslide Records, who since then releases our stuff.

I had a painful divorce as I wrote THE VOICE OF SUMMER. I guess the title is a longing to get away from that situation and I was never really pleased with the material. But with the new album 21 I feel I have found what I was looking for back then. The whole band is very proud of the new album and more – the original line up with Kent (drums) and Anders (bass) is back!

2)About this latest release, "21" what can you tell about the recording process? Was this a "live" in the studio recording or a track by track recording with lots of overdubs?

21 was actually recorded in our rehearsal room by me where we kept all drum parts. Then all add ons like guitars were made there. The vocals was laid down in my appartement where I have built a special room just for singing (and not to disturb the neighbors) and the organs were recorded in Gunnars rehearsal room. So the whole album is a DIY project with a minimum of overdubs. The mix and mastering was done by The Yum Yums wizard-maker CHRISTIAN JACOBSEN. He makes all the difference.

3) Do you consider it should be foolish not to use the nowadays recording technology or do you guys only work with analog machines in analog studios?

We use modern recording techniques as it is free and let you do it without the stress that comes with buying studio-time in a professional studio. Just a sound card and a computer. And we will do it like this in the future too.

4) To what kind of music did you listen to as a teenager and does it still influence your today work? What was your favorite band as a teenager? Name 3 bands that you consider still have a influence on your own work today.

As a teenager I listened to Johnny Thunders, Fuzztones, Stiv Bators, Paul Collins Beat, Plimsouls and a lot of Detroit punk like Stooges and MC5. Also Swedish bands like The Nomads and Hidden Charms. But at the same time I also listened to 50’s stuff like Elvis, Billy Lee Riley, Link Wray and Little Richard. I guess it all mixes down in what I write in present time.

5) You Are the main composer in the band. So how do things happen? Do you come to a rehearsal with a full prepared song (music and lyrics) and you tell the other members what to play or is everybody involved in one way or another?

I write, sing lead and all choirs, record all instruments (by the help of the computer) and send full songs to the guys before we meet. I’ve always done it that way. It also give the guys the chance to suggest changes before we try it out or if the song is plain bad and should be thrown away.

6) Is there any video on YOUTUBE to promote the new album?



We have no money to make videos so I record live shows instead and try to promote us that way.

7) What can concert goers expect at a Psychotic youth? 

Energy. A smile on their face as they leave.

8) Are you still playing live songs from the previous records or is the gig only focused on the new material since the band is back together?

We play songs from all albums, but mostly from SOME FUN and onwards. We have loads of songs
to take out if someone asks. Right now we do 1/3 from the new album and mixes up the rest.

9)You previously covered "This is rock'n'roll" of our very own Belgian pride and joy, The Kids. A band I saw live for the first in 1978 opening for Patti Smith. How did you, way up north, become aware of this band? Did you ever consider covering "There Will Be No Next Time" by the Kids?
I was listening to a number of bands on YouTube and the KIDS popped up as a suggestion. I was hooked immediately! I will look into the other song you mentioned.

10)Anything you wanna add?

I hope we will come to France sometime!

PURCHASE IT HERE: http://watersliderecords.net/