THE RIP CHORDS - Hey Little Cobra and Other Hot Rod Hits REUP BY REQUEST
@ 320 kbps - Covers are included
@ 320 kbps - Covers are included
1. Hey Little Cobra 2. Here I Stand 3. The Queen 4. 409 5. Trophy Machine 6. Gone 7. Little Deuce Coupe 8. '40 Ford Time 9. She Thinks I Still Care 10. Shut Down 11. Drag City 12. Ding Dong 13. Karen 14. Bunny Hill 15. Don't Be Scared
The Rip Chords were essentially a false front behind which lurked future Beach Boy Bruce Johnston and Byrds/Paul Revere & The Raiders producer Terry Melcher. "Hey Little Cobra," a wimpier-than-usual hotrod record that benefits from Johnston and Melcher's full-bodied vocals, was their first big hit, generating a first album filled with unnecessary Beach Boys/Jan & Dean covers (four of 'em, plus an instrumental that basically rips off "Little Deuce Coupe") and a pretty good Melcher/Johnston, Spector-in-drag car tune, "Trophy Machine."
Much more intriguing is their guitar-heavy non-automotive material. "Here I Stand," their first single, updates Wade Flemons's 1959 Chicago R&B cha-cha with piercing, fruity falsetto and some vicious, loud guitar. "The Queen," which sadly isn't about a hotrodding RuPaul--she's a stuck-up Sting Ray driver--is vintage Dion goosed by queasy heights of falsetto. "Gone" sounds like the Isley Brothers' "Shout" with more tuff guitar, while "Ding Dong" is a doo-wop anticipation of "I Fought the Law." Post-album single/bonus track "Don't Be Scared" combines the Beach Boys' "Little Honda" and "Dance Dance Dance" with heavy fuzz. "She Thinks I Still Care," the Dickey Lee/George Jones country classic, is sped up Four Seasons-style with shredding guitar. And "Karen" (featuring the fabulous pun "I'm a fool for Karen") spices a mild Buddy Holly tune with killer destructo guitar from some anonymous L.A. Wrecking Crew stalwart. Fascinating genre-bending experiments, sadly never followed up. --Ken Barnes
http://sharebee.com/e89d1dcd
The Rip Chords were essentially a false front behind which lurked future Beach Boy Bruce Johnston and Byrds/Paul Revere & The Raiders producer Terry Melcher. "Hey Little Cobra," a wimpier-than-usual hotrod record that benefits from Johnston and Melcher's full-bodied vocals, was their first big hit, generating a first album filled with unnecessary Beach Boys/Jan & Dean covers (four of 'em, plus an instrumental that basically rips off "Little Deuce Coupe") and a pretty good Melcher/Johnston, Spector-in-drag car tune, "Trophy Machine."
Much more intriguing is their guitar-heavy non-automotive material. "Here I Stand," their first single, updates Wade Flemons's 1959 Chicago R&B cha-cha with piercing, fruity falsetto and some vicious, loud guitar. "The Queen," which sadly isn't about a hotrodding RuPaul--she's a stuck-up Sting Ray driver--is vintage Dion goosed by queasy heights of falsetto. "Gone" sounds like the Isley Brothers' "Shout" with more tuff guitar, while "Ding Dong" is a doo-wop anticipation of "I Fought the Law." Post-album single/bonus track "Don't Be Scared" combines the Beach Boys' "Little Honda" and "Dance Dance Dance" with heavy fuzz. "She Thinks I Still Care," the Dickey Lee/George Jones country classic, is sped up Four Seasons-style with shredding guitar. And "Karen" (featuring the fabulous pun "I'm a fool for Karen") spices a mild Buddy Holly tune with killer destructo guitar from some anonymous L.A. Wrecking Crew stalwart. Fascinating genre-bending experiments, sadly never followed up. --Ken Barnes
http://sharebee.com/e89d1dcd
1 comment:
Thank you very much RatBoy..for the Rip Chords and Ronny and the Daytonas' albums. Two great editions even more the Daytonas. Thanks for these albums again and for everything you post in the blog.
Cheers,
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